Eion McNaught (aka Illstation) is the artist behind Ill Station, a deviantART site showcasing his sculpture, drawing, painting and animation. His work generally has a macabre-but-playful feel, but is sometimes more macabre, and sometimes completely playful.
While it’s a bit of a stretch to call Ill Station a blog, I feel it fits within the Wikipedia definition: a site ‘usually maintained by an individual with regular entries of commentary, descriptions of events, or other material such as graphics or video’.
I’ve known Eion for about 15 years and, growing up, I enjoyed accompanying my brothers to his flat, where various pieces of art would be displayed about the place. I remember thinking for the first time that he had actually created a lot of the stuff I was looking at, unlike most people (including myself) who consume rather than produce art. Recently, he’s been responsible for all the artwork behind my brother’s Cartoon Beats label, as well as this wonderful animation of Margaret Mahy’s A Lion In The Meadow read by my sister-in-law.
On those visits, I always had questions to ask but we inevitably talked about other things – he never really drew attention to his art, it was just what he did. I’m lucky, then, to be allowed this opportunity to get some insight into his creative process and general thoughts. (Click all images to enlarge.)
Why did you create Illstation/your deviantART artist page?
Illstation is my alter-ego. Ill Station is also the place I go to see amazing things and be inspired. The name came to me in a dream (so cliché, but true (groan)).
DeviantART is the first place I displayed Illstation work – basically because it was free and easier than creating a website (which I didn’t know how to do). It also seemed like a popular site, so I hoped my stuff would be seen.
What work of yours has been exhibited publicly in the past, and where?
I have yet to do an actual exhibition of Illstation work as such … However, my work has ended up on animated tv shows (for Disney, WB, MTV, TVNZ and others) and at the cinema. I have worked on advertisements for tv, the cinema, internet, in print (billboards, magazines, children’s books etc.), even in a Nintendo DS game (for Ubisoft).
Illstation’s paintings have been sold at the New Zealand Art Show in Wellington. Illstation’s work can be found online (as well as deviantART there is a Facebook page and stuff on YouTube), including a music video for the record label Cartoon Beats. Also there’s the album artwork for all of Cartoon Beats Record releases to date. That may or may not be everything …
What is your first memory of drawing, painting or sculpting?
I guess this story applies … When I was about three I remember my brothers and me painting our faces to look like Kiss. I wish I had a photo of that.
Describe something that is beautiful to you.
When I’m on a mountain and there’s fog below and the other mountains look like islands rising out of a sea of mist.
A lot of your work has a disturbing or off-kilter feel about it. Is this the kind of atmosphere/tone that you are drawn to most?
Definitely. Illstation emerged as a result of limitations being put onto my creativity while working as a commercial artist and animator. The more people try and tell me what ‘I should be drawing and painting’, or try and tell me what ‘art buyers are going to be interested in’ (and they constantly do), the darker the work will become, perhaps … It’s not about being contrary or offensive. It’s about creative freedom and drawing what I love. I have a natural affinity for spooky stuff. Always have.
Do you have a standard creative process, or is it different with every piece?
Well, I always have my sketchbook with me. Most of my little art seeds are planted in there. A finished artwork may come about as the result of a tiny sketch in the corner of a page which I never planned to go anywhere with, or I may start doodling with a painting, sculpture or animation in mind. I have done whole short animations based around one little drawing/idea in my sketchbook. I really need to work at a piece too. They rarely come easily from my mind onto canvas or whatever. Oh, and I always work to music.
What sort of an effect has travel and living abroad had on your belief system(s)?
There is one answer which springs to mind, I guess (I’m hoping I haven’t misunderstood the meaning of belief system). I would describe myself as spiritual. I believe that I am open minded as well. I had previously entertained the idea that maybe Buddhism could be for me. I visited a beautiful Buddhist temple at the top of a hill overlooking a lake in Korea last year. My observations made me look into Buddhism a little further. However, I found I couldn’t identify with the Buddha at all. He experienced every indulgence and then great hardship on his journey to reach nirvana, and I know that I never will. I realised that I don’t actually feel the need to achieve a complete state of bliss either… I grew up in paradise.
Is there a piece of art or blog entry on your site that you are most proud of?
Hmmm. Since I can’t decide on one I’ll say no. There are a few I’m very proud of for different reasons.
Name two countries: one you’d like to visit, and one you’d like to visit again.
I would like to visit Russia (Actually, I would love to go to Europe – I have never been). I would like to visit Mexico again (I feel I didn’t give it a decent chance the last time and didn’t see enough).
Do you believe in God?
I believe in God. I don’t believe every story I hear or read. And I cannot believe in businesses that profit from claiming to be a way of communicating with God. I believe that knowing God really comes down to an appreciation for the gift of life.
2 thoughts on ““I have a natural affinity for spooky stuff. Always have””
[…] This post was mentioned on Twitter by Barnaby Haszard M. and Rua Haszard Morris, Barnaby Haszard M.. Barnaby Haszard M. said: "I have a natural affinity for spooky stuff. Always have" – Inside the Bloggers Studio with old mate Eion: http://wp.me/pR1PR-fe […]
Hey Barns… Must say that the first painting looked so real, I expected to feel the grooves by touching the screen.