Here’s how this post was initially drafted to end:
So I cut the red AAC wristband, straightened my non-existent tie, and walked off on damp pavements to catch my bus.
When I wrote it, the wristband still encircled my radius, bright and crumpled. I didn’t think it mattered whether or not the words were true; they evoked letting go, a holiday beginning its transition from vivid recency into hazy past. I felt that the inclusion of an absent tie signalled my awareness of whatever lies I allowed into my account. I wondered whether the words written down here would eventually become truth in my memory.
But what actually happened ended up being more interesting than the lie.
The last big activity of this year’s summer holiday with the kids was a trip to Splash Planet. It used to be called Fantasyland, a crumbling, community-built theme park famous for the train that ran around it and the smell of urine in the big castle. There were no water slides or pools with slow-filling buckets that saturate you if you time it right, or wrong.
I think I was about five or six when we went as a family in my own childhood. I recall some bright colours and the thrilling, uncontrolled motion felt by a small child going down a large slide. Above all, I recall the joy of riding that train, possibly with a grudging (though smiling) parent or older brother on child-minding duty.
For months afterwards, possibly years, I would counter any mention of Rainbow’s End with the superiority of Fantasyland. Have you been to Rainbow’s End? they would say. No, but I have been to Fantasyland, which is AWESOME. None of my friends had, so I had the pleasure of smug exclusivity and their complete indifference, because nobody cares if they haven’t been themselves. It’s not so different when you tell fellow thirty-something friends about your travels to the backwaters of Alappuzha or the beaches of Asturias and Cantabria. They’re mildly pleased for you, but they will quickly move on to the boats of the Bosphorus or the golden sands of Bali.
You move around the world and colour in the parts you see. You flood your senses and your mind and try, sometimes desperately, to commit them to your memory. But you can never hold onto them as they were, because your memory is fallible and the world’s constant physical change is undeniable.
When I visited Christchurch at the height of its post-earthquake demolition in 2012, my brain couldn’t make sense of the absence of buildings I used to take for granted. They existed in my memory but were in the process of being crushed, snuffed out, by reality.
A drive past the Tokoroa house in which I grew up was even more disorienting, with the big filbert trees replaced by a high wooden fence. The current residents scowled at me as I drove away. In this case, I could maintain a strong image of the past because it was so familiar to me as a kid, but I’ll bet nobody outside my family can call it up if required. And it was impossible to lay that image over the shocking disparity in front of me.
And that image is also likely to be wrong in some way. We know this from study after study: the brain misremembers. Its truth is mine, and mine alone.
To my surprise, many of the elements that made Fantasyland so memorable for little me were intact. Large slides, though more dilapidated than before. The tiny town. (Or am I inserting that into my memories?) The train.
I had no sense of the physical details and how they had or hadn’t changed. I couldn’t tell you whether the grassy parklands were laid out as before, or whether the train followed the same path around the castle. But I knew this was the place I had been to and loved all those years ago. I felt a child’s uncomplicated delight at being there again. For me, it was easily the highlight of the trip.
Tara cut her wristband off before going to sleep that same day. I kept mine on, not just overnight but for days afterward, even through an entire workday. I liked the way it reminded me of the feeling of being at Splash Planet the way a watch used to remind you of time passing. I liked the way it peeked out garishly from under my cuff.
I also liked showing it to colleagues when they asked how my holiday was. Fortunately, there was nearly always a connection, because so many people have been to Fantasyland and Splash Planet over the years.
That night, we discovered our chest freezer had been switched off for days. Possibly by us, in our harried and sleep-deprived state, or possibly by a vendor who carried out some work on our house while we were gone.
Point is, hundreds of dollars and dozens of kitchen hours’ worth of uncooked meat and home-cooked meals — perfect for, say, a mandatory 14-day self-isolation period — had to be thrown out. I stacked thawed containers of dinner saw on top of the oven and carted them in batches of five to a dark corner of the back yard, where I hiffed their contents onto the lawn. A feast for neighbourhood cats.
After I’d washed out all the containers and left them to dry, I collapsed onto the couch next to Tara, who had buried herself exhausted and grieving in a puzzle. I felt the wristband tug at my skin so I looked at it. There was a small blob of refried beans on the palm side. Time to let this past go, too.
“The really good thing,” said Tara, sarcastic but sympathetic, “is the scissors are out in the shed.”
I stood and went to the laundry, where I spent a minute using a pair of garden shears to uselessly shave colour off the wristband.
Then I went to the kitchen and levered a blade under it. The circle was finally broken. Pop. Toot-toot. Wheeee.
I can still feel the bracelet. It’s like my brain wants it to be there. In twelve hourstwenty-four hours forty-eight hours it’ll be gone for good, but in forty-eight days it (or its imperfect neurological echo) won’t be forgotten, because I wrote this.
I finished reading Shayne Carter’s autobiography Dead People I Have Known (Victoria University Press). It’s an excellent book: reflective, honest, occasionally moving, occasionally funny. It also contains the best descriptions of music since AMADEUS.
I saw Carter perform one time, a Dimmer farewell gig at Bodega in 2012. Bodega is now closed, its central, eyeline-spoiling pillar a collective sigh in the memory of Wellington’s gig-going faithful.
From my vantage point at the extreme right of the room, I gripped the bar on which my beer bottle rested while Carter ripped through one face-melting, feedback-laden guitar solo after another. He seemed in a mood to indulge his fingers more than his voice that day, and that was fine with me. I barely remember him speaking, let alone singing.
What I do remember is his body doubled over in submission to his guitar. His fringe hung down over his sharp-featured face. His lips pursed out in a demonic grin. He must have spent half the gig in that pose.
“The facial expressions,” my friend and I agreed over a beer a few months later when the subject of Shayne Carter live came up. “The facial expressions.”
Years later, she would edit his book. And I would borrow the book from another friend, whose photos are in the book. Just so you know how small New Zealand is.
And I say again, it is an excellent book, worth reading even if you couldn’t name a single one of his songs. It’s almost as good as his facial expressions.
There’s this video going around, filmed by a woman who has reclined her seat on a plane, of the man behind her — who is unable to recline his seat — repeatedly punching the back of her seat in protest.
It’s fuelled a good amount of this week’s outrage on social media and in news outlets. Who is in the wrong?? Tell us what you think in the comments!!
First of all, the guy punching the seat is behaving objectionably. Anger management classes might be warranted.
Second, the existence of the seat reclining feature does not entitle anyone to use it without consideration for the person behind them. There’s this books podcast I love, but I nearly stopped listening to it when one of the hosts ranted about how the seatbelts-no-longer-compulsory alert is ‘the universal signal to recline your seat’ and anyone who protests is being rude.
I never recline my seat, and that’s because if the person in front of me reclines their seat, I enjoy grooves in my knees for days afterward. I wish they would do away with it. If you want to sleep on a plane, pay more for a premium seat. If you just want to lean back while you watch MISSION IMPOSSIBLE: FALLOUT on a fuzzy seven-inch screen, you are a sociopath.
Which isn’t to say I’m not a sociopath when it comes to certain other controversial debates regarding personal use of public spaces. But when it comes to reclining your seat on a plane, I am Greta Thunberg standing up to the lawmakers and sycophants; I am The Resistance. I am fighting for good.
This is all just a distraction from the real issue, though. The real issue is that airlines have commodified comfort on planes, and that millions have bought into it wholeheartedly, to the extent that many of the responses to the video are along the lines of, ‘the guy shouldn’t complain it’s his fault he paid for a seat that doesn’t recline’.
A sane world would have plane seats that offered comfort to everyone at a consistent price.
A saner world probably wouldn’t have planes at all, as the temperature in Antarctica hits 20°C.
But let’s not get distracted from the distraction, which is the real real issue here.
My fellow attendees walked out of the cinema with grins on their faces — “a superb black comedy!” “uplifting!” “they were resilient!” — while I left in a fug of depression, convinced both families were locked into their respective prisons (one gilded, one grimy) doomed to fight their private battles in the tight limitations of capitalism. It seems Bong had ambitions of provoking both responses, a serious commentary and a work of farce. Clearly he has succeeded. But, as you may also feel about the cultural appropriation of native American tropes near the end, I have reservations.
PARASITE’s key shortcoming is its failure to properly engage with the poor family’s poverty. They are so hard up as to have had all their phones disconnected, and so beaten down by their situation that they lie around their semi-basement in a stupor. Then, when the plot-driving opportunity to tutor a rich student presents itself, they suddenly have access to a hair and wardrobe department — actually, the daughter’s locks are fabulous from the first scene — and the iron confidence of high-stakes scammers. At that benighted level of society, tasks like getting a new phone contract take on Herculean impossibility, let alone showing up at a prospective employer’s workplace with a suit, a tie, and a memorised script to convince the rich man you belong in the support structure of his world.
I never believed their situation was as desperate as it looked because they were able to extract themselves from it so easily. When they do literally lose everything, they are back on their feet within hours. It’s too convenient.
Pity, because so much about this film is compelling. I could almost feel the impersonal chill of that art gallery of a home, the expensive fabric draped around the rich mother’s shoulders — who, incidentally, is the most complete and consistent character, also in a stupor when introduced. The schemes to establish the illusion are superbly executed. A scene in which a character smokes a cigarette on a toilet achieves a rare and ugly beauty. The film’s final lines beautifully express the fantasy of overcoming poverty while also addressing how much easier it ought to be.
I just wish it had tried harder to examine the reality of life in the underclass, especially as it tosses the rich family to the curb in its final act. Which suggests Bong, himself a rich man, is on the side of the poor, disinterested in telling the full story of what our society does to the wealthy, desperate to present how it keeps so many people down, but not sufficiently motivated to tackle the paralysing breadth of their predicament.
I was at Waikanae’s famous Fed Up Fast Foods fish ‘n’ chip shop with Stephen when I first encountered Cheezy Weezys.
I felt like they should have been advertised on an A4 printout in all-caps Arial Black, like all the other speciality items, but there they were on the big menu alongside hot dogs and spring rolls, as if they’d always been there.
We speculated as to what Cheezy Weezys might be. I suggested six or seven strips of mozzarella, battered and deep fried. Stephen proposed a scoop of chips with plasticky orange cheese squirted all over them from a bottle.
A subsequent image search proved Stephen right. Given they were called Cheezy Weezys, he was always going to be right.
But we didn’t order the Cheezy Weezys. I decided not to risk it, which is unlike me, because I usually try any old rubbish if it’s junky enough.
In the ensuing weeks, Cheezy Weezys seemed to be everywhere. I assure you, I’d never seen them on a fish ‘n’ chips menu before that rainy evening in Waikanae, and I’ve eaten a lot of fish ‘n’ chips. But there they were, again and again without fanfare, about $5.20 a pop.
Last weekend, when we went away to Foxton Beach, I cracked. Not only did Mr Grumpy’s have Cheezy Weezys, they also had Curry Chips, Cheese and Gravy Chips, and Blood ‘n’ Guts Chips. I ummed and aahed and eventually decided on Blood ‘n’ Guts Chips.
This is what they handed over:
That’s a scoop of chips, tomato sauce, sour cream, and grated cheese from one of those ready packets with loads of de-caking powder at the bottom.
Needless to say, my fascination with novelty hot chips is cured.
I pressed the button fifteen minutes ago when Tara’s tramadol wore off, four hours since the previous dose. A big, angry wound in her abdomen is giving her acute pain. One of our twin infants dozes in my lap, the other in a cot. Tara lies in bed, brows knitted in pain and exhaustion.
It’s about 2am.
There’s a speaker right outside our room. Every couple of minutes, the call bell dings again.
We’re waiting on one of the two overnight duty midwives to come and assist us. After a few more dings, she arrives, and we ask for more pain relief. Of course, she says, and promptly leaves.
Another fifteen minutes pass. In one of the other two dozen rooms served by two midwives, someone else presses the call button. Ding.
Approximately thirty-five minutes after I initially hit the button, the midwife returns with the tramadol. Tara ingests it and waits for it to take effect. Eventually, after a full hour of agony, she gets some relief.
Ding goes the call bell, on through the night and day, summoning health professionals that don’t exist.
This is far from the most gruelling episode of our six-day hospital experience when the kids were born, but it’s one that stays with me. It’s symptomatic of a system that is desperately under-resourced.
You look back on times like that and think, well, we got through it. And people are more than willing to tell you it’s just something you have to get through. Some people, anyway.
But I’m sharing this tiny story today because a much worse case of maternity ward understaffing and negligence is beingwidelyreported. A baby died after a labour and birth in which everything that could go wrong did go wrong. Individuals made mistakes but the system overall is accountable.
And if so many people are ringing the bell to say that the system is inadequately resourced, that midwives are constantly at breaking point, that having a baby outside business hours loads significant risk into an already risky process, that the trauma of their hospital birthing experience haunts them for years, why are we still talking? Is anyone listening?
I saw Louis Sergeant at the vegetable market the other day. He was selling a variety of macarons, some croissants, some pains au chocolat.
Louis Sergeant used to have an inner-city patisserie where delicious dessert sculptures and pots of artisanal tea were conveyed to your table by bright-eyed women in black aprons. The cabinet presented at least a dozen options with shiny mousse spheres, gold flakes, and curved pieces of chocolate. I thought $14 was a rip-off until I tried one.
Then Louis Sergeant opened a second patisserie about two hundred metres away. They both closed within six months, and it seemed like that was that.
But here was Louis Sergeant himself, previously unglimpsed, peddling fine French pastries in a packed carpark alongside greengrocers from Levin.
“Got plans to open another shop soon?” I asked as he bagged a pastry.
“Yes,” he said, after some hesitation.
“My wife and I really miss your patisseries,” I said.
“Thank you,” he replied. “2019 was…” He grimaced and didn’t finish the sentence. I could only imagine the disastrous spreadsheets and red numbers flashing before his eyes.
My kids think my moles are animals. If they catch a glimpse of my bare stomach, they’ll dash over and say, “Hello mole! How are you? How are you today, mole?” And they’ll reach forward with thumb, forefinger, and middle finger joined, and say, “Here’s some food for you.” This is exactly how they talk to dogs, cats, ducks, etc.
I assume this comes from the many children’s books we’ve read to them that feature moles. Kinda specific, you might think, but you’d be amazed to learn how many picture books revolve around obscure and non-existent beasts. I guess it’s a gateway to empathy, getting little kids to care about and identify with animals so they might do the same with other humans.
Little do they know one of my moles became a cancer. Where’s the empathy there, mole? No more food for you mole!
It gets weirder. Turns out there are animals everywhere. The other day, we were driving past a fire station and one of the kids got super excited. “Hello, fire station!” And then her voice got really high-pitched and playful. “What you doing? What you doing there? Here’s some food for you, fire station.”
It’s been cool and damp in Wellington today. Cue a dozen overheard conversations in the office about it being a typical Wellington summer, i.e. over in a flash and barely there to begin with.
In reality, the sun has shone bright in blue skies recently and will shine again soon. But in order to belong, you must sign up to the mass delusion.
Christmas time is however ending. I know this because everywhere I go, I see millions of brilliant red pōhutukawa stamens collected in drifts on the footpath, like the spreading alien tendrils in War of the Worlds.
The pōhutukawa is also known as the New Zealand Christmas tree because of its vague resemblance to holly and its seasonal blossoms. When the flowers die, their crimson threads fall to the ground in clumps, the blood of Tawhaki under our feet. They’re beautiful and then they’re gone. They are our hair that has fallen out.
You can be sure they’ll be back next spring, though, until we’ve burned it all down — back from the underworld, leaping for the heavens, caught in flight on evergreen branches.
Husband. Father. And now homeowner. There is an account with a hilarious negative balance in my internet banking, an unimaginable amount of money until you break it down into x-hundred a week. This will be a key driver of so many decisions about how to spend my time and money over the next couple of decades. At this very early stage, with the first planks of borer-riddled wood uncovered and the first tree toppled by the wind, I am excited to get stuck in and learn how to do things yourself. I’ll let you know in a year whether I still feel that way.
As the kids get older, sleep gradually becomes a priority once more. I’ve done two years of thinking five hours was enough to get by – two before the night feed, three after. Now they are sleeping through more regularly, which means I am too. It’s too early to say whether this means my memory will be restored to full function. In its place, I have written a brief note in a physical diary every day to mark what happened that day. I look back over it sometimes and read what appear to be words written in someone else’s hand, about someone else’s experiences… then I remember, in vivid flashes, and think how much has changed since then.
I have a new job, one that challenges me in new ways every day. I have put out an email newsletter stuffed with book and movie reviews every month of the year. I have written bits and pieces of other things (but never enough to be satisfied). Overall, I am content, if a little unsure of what exactly I’m meant to be doing here, apart from continuing to be a husband and father, neither of which is a bad purpose in itself. I guess this is normal for a lot of people in their mid-thirties.
Looking back over my viewing log on Letterboxd, I saw more new (or newly released to NZ, at least) films in 2019 than I thought I did. The answer is the increasingly up-to-date nature of movie streaming. Which is also the defining story of the decade in movies, but if you are anywhere close to the average viewer, who now most likely watches everything down a 100% legal cable from servers on the other side of the world, you’ll know this already.
Going to the cinema is a different story, which is actually the same story. Six NZ International Film Festival screenings aside, I went to the movies four times in 2019. Gone are the fantastical days of my early 20s when I would go to something every week, usually at the now-demolished Regent on Worcester in Christchurch. I could be indiscriminate in my viewing as there was so little riding on each $8.50 ticket: if this week’s film was rubbish, I’d be back the following week anyway. Now, with marriage and parenting and a house to make over, it’s likely to be months between screenings. I have to choose carefully.
I can’t judge. The streaming revolution has come at exactly the right time for me, syncing perfectly with my need to kill time cradling a small child in a darkened room most nights. I am worried about the future, though. My parents are now able to go to the cinema more or less whenever they like, and they are taking full advantage, which is great. They are now invariably the ones filling me in on the latest releases. Will there be enough picture houses around to serve me when I reach that stage of life, though? How much longer can ‘going to the movies’ hang onto relevance, and how detached can it ever be from the octopoid Disney corporation, who will surely decide the answer to the question?
I wait in hope. But in the event it all crashes down, and those who want to watch anything on the big screen have to go cap in hand to the guardians of the galaxy, I am steadily rebuilding a collection of physical media to keep me – and my family – going. A title can disappear off Netflix or Disney+ at the click of a button. No one can take away my PAPRIKA Blu-Ray.
Enough of that. Taking screen size out of the equation, I saw 24 new-to-NZ films in 2019. In the order I saw them, with hasty ranking in brackets:
THE SISTERS BROTHERS (7)
RALPH BREAKS THE INTERNET (21)
SPIDER-MAN: INTO THE SPIDER-VERSE (6)
WHERE HANDS TOUCH (19)
HOMECOMING: A FILM BY BEYONCE (16)
DEADWOOD: THE MOVIE (4)
UP THE MOUNTAIN (2)
MILES DAVIS: BIRTH OF THE COOL (22)
HALE COUNTY THIS MORNING, THIS EVENING (15)
PONOC SHORT FILMS THEATRE, VOLUME 1 – MODEST HEROES (11)
CHILDREN OF THE SEA (23)
THE HATE U GIVE (10)
WEATHERING WITH YOU (20)
EIGHTH GRADE (3)
LEAVE NO TRACE (5)
WHEN THEY SEE US (1)
THE IRISHMAN (9)
MADELINE’S MADELINE (13)
MARRIAGE STORY (8)
STAR WARS: THE RISE OF SKYWALKER (18)
One more quick word for an unfinished project of 2019, which was to watch 52 films by black directors. I reached 28. I wouldn’t call it a failure, though, because it opened my eyes to many new ways of seeing and thinking, and it showed me how rare it has been throughout film history for a dark-skinned person to be handed the reins. Thankfully, that rarity is becoming less of an issue, both in the multiplexes and the arthouses, not to mention the big streaming platforms.
This one will carry over into 2020, and you can track my progress here. In the meantime, some highlights so far:
I AM NOT A WITCH
I AM NOT YOUR NEGRO
SPIDER-MAN: INTO THE SPIDER-VERSE
THE HATE U GIVE
WHEN THEY SEE US
GET ON THE BUS
Look, I read and I read and I read, often outside my privilege, black women as often as possible, and I give five stars on Goodreads and waffle about how my mind was broadened and everyone should read this, but I couldn’t actually have a conversation anything like the ones in the books I’m reading. I can tell you yes, I have read that book and it’s brilliant; I can’t explain to you exactly why.
They say it so much better than I could! And anyway, why listen to me? Another beardy white bloke with his reckons. Get some Maya Angelou or some Bernadine Evaristo into you. They are the ones who merit your attention.
I’ve sought purpose in being a promoter of underprivileged voices, but I’m increasingly finding that ground shaky, a cop-out – especially when you look at my corporatist lifestyle and weasel words about giving up meat and fast fashion and Facebook and hopefully volunteering some of my time at some point in the not-too-distant future. I feel that if I’m out here saying anything, it should be something worth hearing. I also feel like my thinking is not refined enough to adequately parse and summarise what I learn from these books.
What I really want is to let their words sit, drift off into my own meandering thoughts, and produce art of my own that can stand up to critique from people who understand identity and privilege better than I do. Tara always says I am one of the dreamers; that is what I do here, read and dream, which does nothing for oppressed people beyond the tiniest signal boost here and there.
The defence might be that putting so many other voices in my head one after the other – especially with books like NEW DAUGHTERS OF AFRICA and GIRL, WOMAN, OTHER, which themselves contain many points of view – makes them hard to assimilate. That no person can become woke in a hurry, and to pretend you are is to perform it. But I never want to let myself off that easily.
So I continue to read, and listen, and kick the can of action another year down the road, expecting myself to one day be useful to people less privileged than myself.
For all that pessimistic navel-gazing, I had a great year of reading. Books I loved:
THE 10PM QUESTION by Kate De Goldi (2009)
MAN ALONE by John Mulgan (1939)
INTERPRETER OF MALADIES by Jhumpa Lahiri (1999)
THE BOOK YOU WISH YOUR PARENTS HAD READ by Philippa Perry (2019)
THE REMAINS OF THE DAY by Kazuo Ishiguro (1989)
THE RIGHT STUFF by Tom Wolfe (1979)
TRICK MIRROR by Jia Tolentino (2019)
MORIORI: A PEOPLE REDISCOVERED by Michael King (1989)
KID GLOVES by Lucy Knisley (2019)
NEW DAUGHTERS OF AFRICA edited by Margaret Busby (2019) (if I was going to pick one to recommend, this would be it)
THE LEFT HAND OF DARKNESS by Ursula K. Le Guin (1969)
I KNOW WHY THE CAGED BIRD SINGS by Maya Angelou (1969)
TO BE TAUGHT, IF FORTUNATE by Becky Chambers (2019)
GIRL, WOMAN, OTHER by Bernadine Evaristo (2019)
KINDRED by Octavia E. Butler (1979)
Books I disliked:
HEART OF DARKNESS by Joseph Conrad (1899)
A MESSAGE TO GARCIA by Elbert Hubbard (1899)
AND THEN THERE WERE NONE by Agatha Christie (1939)
FLOWERS IN THE ATTIC by VC Andrews (1979) ← absolute trash
People just want the mob who will get things done. It doesn’t matter what things.
The most hated section of society is the group(s) perceived to be sitting on their backsides – for the purposes of my argument, beneficiaries and civil servants – while the rest of us struggle in the real world. Votes therefore follow the politicians who present themselves, however facetiously, as not only just like you but actually capable of changing things. Because things are so bad, right? Surely any change has to be better than this!
That’s why the Conservative Party is going to Get Brexit Done. That’s why Trump is there doing whatever it is he actually does. That’s why, in 2020, the National Party is likely to replace NZ’s “part-time Prime Minister” – a classic slur against working mothers – and “part-time Government”. Whether or not things are actually changing, it’s the image of executive capability that brings votes in.
As for who can actually bring about lasting positive change in society, I wish I knew. But I’m sure there are some great books written by other people on the subject.
As I write this, my beloved Liverpool are the best football team on Earth. Not just the Champions League holders and Premier League leaders, but probably capable of winning the World Cup if they were dropped into it. It’s an amazing and unfamiliar feeling, almost unsatisfying after so many years of not quite being up at that level, but then I watch another inch-perfect cross-field pass by Trent Alexander-Arnold and just revel in the moment.
The rugby, I barely noticed. Watched NZ lose the World Cup semi-final to a much better team. About time we went through that as a nation again.
The cricket. Oh, God, the cricket. I apologise if you thought I was done with hyperbole, but the World Cup final was the greatest game of sport I’ve ever seen: tense all the way, with several genuinely jaw-dropping moments of skill and luck. I say all this even though my team lost – except they didn’t! I won’t try and explain any of this, but this video may give you an idea of what I’m talking about.
Late in 2019, Shed 1 started recording videos of our lunchtime five-a-side indoor football matches and uploading them to the Glory League website. Privacy implications aside, I’ve found it fascinating to review my own performances back and assess what I am doing well or not well. It’s a relief to learn the kind of footballer I actually am – basically, a lumbering giant with decent technique and passing range and absolutely no hope of outpacing anyone – isn’t that different from the kind of footballer I thought I was.
We pulled into a large bay at the side of the road on a blazing hot February day in the Bay of Plenty, I think to make sure Nora was buckled in properly. When we set off again, I drove to the left of a large pile of gravel, thinking our Nissan Teana would pass just as easily over the stones on either side. I was wrong.
With the gravel mountain immediately to my right, I heard the undercarriage crunch angrily into stones that were much deeper than I’d anticipated. To my left, Tara knotted her brow in worry. I thought we’d get through if I pressed a little harder on the accelerator. I was wrong.
A louder crunch, a lurch up and to the left, and spinning wheels when I put my foot down. We were stuck. I had marooned my wife, my one-year-old kids, and myself in a hot car miles from anywhere. Panicking and swearing, I leapt out and examined the extent of our submergence. The right rear wheel was slightly off the ground, while the right front wheel was concealed to about a quarter of the way up the tyre. I began scrabbling desperately at the hot, dusty stones, giving myself blisters that would remain red with blood for days and making no discernible impact on the heap in which the car was entombed.
You won’t be surprised to learn my further attempts to drive us out of our predicament only lodged us deeper into it.
As I walked around and around the car, head in hands, still swearing, a van-load of leather-skinned East Coast types pulled over and bounded to our aid. “You guys need a push?” “Bloody hell, it isn’t coming out of there.” “Come on, here we go.” And they just heaved the Teana backwards out of its prison, back to solid(ish) ground. Then they buggered off, waving away my almost tearful thanks. “Drive to the right, eh? This way. To the right. Yep, that’s it. See ya later.”
I choose this story to tell from our Big Family Holiday in Taupō, Ohiwa, and Rotorua, which contained many highs and lows, because it illustrates the precariousness and blind luck of successful travel with young kids. Will they nap when they’re supposed to? (Sometimes.) Will road works bugger the whole schedule? (Always.) Will we get any sleep? (Rarely.) Will we, their hopeful parents, make good decisions that benefit the whole family? (In this case, no.) On the road, you are always ten seconds from disaster or glory. There were some calm hours reading under a tree in the sun, thank goodness, but the bits I remember most are the moments of triumph and chaos, moments that cut through all the noise in your head. I guess that’s parenting in general, too.
Music / Podcasts
It was tempting to choose Blanck Mass’s ‘Wings of Hate’ as my track of 2019, which brings to mind a fiery phoenix soaring high, turning everything we love to ash in its wake. Like the evil guy winning at the end of a horror film. Instead, I give you the mysterious and magical ‘Movies’ by Weyes Blood:
I love movies, too, and the way this song gives language and melody to the way I love them was impossible to resist. I felt seen. I’m going to see her perform it live in 2020 and the anticipation is such that disappointment is assured.
Other new music I enjoyed in 2019:
Edwyn Collins – Badbea
Jenny Lewis – On the Line
Sturgill Simpson – Sound & Fury
That’s not including a dozen or so new releases I listened to once or twice, might have enjoyed or barely noticed, then never listened to again. There were new ones from Angel Olsen and Bedouine, for example, and Charly Bliss, who so captivated me a couple of years ago, and Nick Cave and The Bad Seeds, back with the pretty spoken word sadness, and Solange, breaking more new ground. I didn’t let these records sit with me.
I don’t know why, but it probably has something to do with my most played songs of 2019 including Teddy Bears’ Picnic by Anne Murray and Baby Shark by Pinkfong. “One more Baby Shark! One more Baby Shark!”
It might also have something to do with my obsessive listening to podcasts. These are the ones I kept up with, religiously, until I got a job that doesn’t really allow for five hours of headphones in each day:
Against the Rules with Michael Lewis
Chat 10 Looks 3
David Tennant Does a Podcast With…
RNZ: Fair Play
RNZ: Morning Report
RNZ: Saturday Morning
THE ADAM BUXTON PODCAST
The Empire Film Podcast
The Guardian Books Podcast
The Trap Door
Two Pros in a Pod
In lieu of a 2019 Spotify playlist, I’ve made a 2010s Spotify playlist. Each track on it has, at the very least, a moment that makes me stop whatever conversation I’m in so I can listen to it properly. As always, I’d like to think there’s something on there for everyone, but especially for people who like long and repetitive electronica.
If I’m at a loose end, I open Facebook or Twitter and scroll for a while. Both of these sites continue to tweak their designs in ways I find less and less appealing, and to remove features I like and replace them with ones I hate. They contain glorious nuggets: a heartwarming video of a friend rolling on the floor with their new child, a dog playing Jenga. As media, they chip away at their own worth in favour of an algorithm-centric model aimed at keeping your fucking eyeballs on their page. All the good stuff, all the actual content, is contributed by users for free.
I have to stop this. Tara catches up on popular culture and popular tweets by reading Buzzfeed lists, and I’m finding it increasingly hard to argue for sticking with social networks that not only refresh away the thing I was looking at but also promote anger and division. So I’m going to spend more time reading ebooks, reading articles in Pocket, and writing my own rubbish. Not cold turkey; no, that never works. A new suite of phone-based habits to balance the scales a bit. A lifestyle change.
Also, I got an electric drill for Christmas. I’m going to drill some holes in my new house. There’s some tech with real-world implications.
I can almost understand why that tech guru on the Fresh Air podcast decided to set up 24/7 surveillance inside his home to ensure no moment of his child’s life would go unrecorded. This is excessive, obviously, and bordering on sociopathic, but I look at my own kids each day and think how much I want to remember about who they are and what they do at this moment in time. Right now as I write this, Tara just said, “I wish we could go back, just for one day,” as she puts together a 2020 calendar from our thousands of photographs from the past twelve months. “Now they’re gone, and they became something new, and we’ll never see them again, except in these pictures.”
The truth is fuzzier than that. Nora and June are developing at an incredible rate, especially their language, but they retain recognisable flashes of their former selves: an eyebrow twitch first seen at a month old, for example, or the tiny bruises that have always just appeared on their shins without any indication of how they got there. If you ask me how they are, I usually explain how well they’re sleeping at the moment because that’s the only aspect of their lives I track with any accuracy. The rest is lost in a haze of unique moments and those several thousand photos, so many as to almost render them useless — almost. But then I go back and trawl through a few to find suitable images to include in this post and a thousand of those moments drift back into focus, filling my brain with sense memories and an emotional high that eventually overwhelms me once more. And back I go to my books and movies to wind down.
Tara remains my partner in the ceaselessly taxing and rewarding endeavour of raising these children. “Nothing confronts you with who you really are more than parenting,” she once said, or something along those lines. This year, I have often been reminded of how close to the surface my anger sits, just waiting for a loose thread to catch on an open drawer so it can explode and dominate everything. Together, we try to support each other through the bad moments and amplify the good ones. Our bleary-eyed, late-night show-and-tell sessions of recent photos on our phones is a joy whenever we remember to do it.
We are also still learning how to communicate with each other in a way that makes both of our lives easier and richer, as I feel good communication in a long-term relationship should. Yes, we still have ridiculous arguments about who should do the night wakeup (“me!” “no, me!”). But I believe we are always getting better at being married, and I think we share a deep satisfaction in each other’s successes, however small.
And around this unit, a small community swirls. We remain lucky to have weekly visits from the kids’ grandmothers and the constant knowledge that a dozen or so family members in the region are there to help us when we need them. But we also had visits from family in Auckland and Dunedin, people we can’t get to easily. And there are the friends who made a point of keeping in contact as we go down the parenting rabbit hole. This time often feels lonely but actually, we and our children are surrounded by people who care.
In 2020, we will extend our household to include Tara’s parents, a huge change in all of our lives. We will drive each other mad with our foibles, and our love. The world is on fire and we gain nothing by marking off our own patches, damn the rest. We must all pull together now.